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Unknown
First published: May 1, 2024 - Last updated: May 1, 2024
TITLE INFORMATION
Author: Zoe Smith
Title: ‘A Prisoner on the Rack’
Subtitle: Marital Rape, Consent, and the Gothic in Late-Nineteenth-Century Colonial Women’s Writings
Journal: Australian Feminist Studies
Volume: (Published online before print)
Issue:
Year: 2024 (Received: August 21, 2023, Accepted: February 10, 2024, Published online: February 21, 2024)
Pages: 19 pages (PDF)
pISSN: 0816-4649 -
Find a Library: WorldCat |
eISSN: 1465-3303 -
Find a Library: WorldCat
Language: English
Keywords:
Modern History:
19th Century |
Oceanian History:
Australian History |
Types:
Rape /
Marital Rape;
Representations:
Literary Texts /
Barbara Baynton,
Ada Cambridge,
Louisa Lawson,
Rosa Praed
FULL TEXT
Link:
Taylor & Francis Online (Free Access)
ADDITIONAL INFORMATION
Authors:
Zoe Smith,
School of History,
The Australian National University
Abstract:
»This article explores how marital rape was represented in the fiction and non-fiction writings of four colonial female authors – Barbara Baynton, Ada Cambridge, Louisa Lawson, and Rosa Praed. It examines how these women conceptualised marital rape as a form of domestic violence or ‘cruelty’ in marriage, intrinsically linked to other forms of marital violence such as physical and mental abuse, and with marital rape representative of the unacceptability and immorality of a husband’s total control over his wife’s body. It also analyses how these literary representations differed from discussions about marital rape and domestic violence by suffrage agitators such as Rose Scott and Maybanke Anderson. The article argues that Baynton, Cambridge, and Lawson used the language and tropes of the Gothic in order to generate understanding for and empathy with wives and their inability to consent in the marital bed. This article therefore illuminates the intersecting conversations by both female authors and suffrage agitators in late-nineteenth-century Australia about married women’s right to consent, domestic violence, and acceptable marital masculine behaviour, highlighting how access to Gothic tropes allowed colonial female authors to foreground women’s bodily autonomy and depict marital rape in the level of graphic detail that suffrage agitators could not.«
(Source: Australian Feminist Studies)
Contents:
|
Abstract (p. 1) |
|
Marital Rape in History and Theory (p. 4) |
|
‘A Wife’s Protest’: Marital Rape in Cambridge’s Poetry (p. 5) |
|
Marital Rape in Colonial Women’s Gothic Fiction (p. 6) |
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Calling ‘a Spade a Spade’: Depicting Marital Rape Beyond the Gothic Genre (p. 9) |
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Marital Rape in the Feminist Press (p. 11) |
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The ‘Chamber of Horrors’: The Dawn and Marital Rape (p. 12) |
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Woman’s Voice and ‘Enforced Maternity’ (p. 13) |
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‘There were Worse Things than Blows’: Marital Rape and Broader Discussions of Domestic Violence (p. 15) |
|
Conclusion (p. 16) |
|
Disclosure Statement (p. 17) |
|
Notes on Contributor (p. 17) |
|
References (p. 17) |
Wikipedia:
History of Oceania:
History of Australia /
History of Australia (1851–1900) |
Literature:
Australian literature /
Barbara Baynton,
Ada Cambridge,
Louisa Lawson,
Rosa Praed |
Sex and the law:
Marital rape /
Rape in Australia
|